Collage / Mixed Media
Goh Beng Kwan’s constant travels to immerse himself in transnational networks and social structures are tendencies of cosmopolitanism that thrive on the movement of artists and exchanges of ideas. Focusing on collage as a medium of representing reality, Goh’s use of different materials, symbols and forms as elements in tension and dialogue with each other disrupt the depiction of reality through painting, rendering art as illusion by challenging the conventions of pictorial form. Collage as a way of introducing different media, styles and motifs that can be interpreted in multiple contexts becomes a way for Goh to imagine alternative realities shaped by his cosmopolitan experience.
Transformation, 2022, 98x149cm
Embroidery, 1970s, 112x120cm
Where there is a Forest, there is a Brook, 1990s, 78x65.6cm
Divided Line, 1994, 79x54cm
Tribute to Singapore River, 1980s, 45x50cm
Fortune, 1996, 62x44cm
Reflection of the Moon, 1998, 28.5x36cm
Oriental Wind, 1980s, 53x38.5cm
Rising to the Sky, 1980s, 72x51cm
Green Mountain, 1980s, 39x33cm
Land of Smiles, 1983, 70x52cm
You'll never walk alone, 1989, 45x49cm
Yellow Sky in Bali, 1990s, 60x45cm
Twinkle Reunion, 2020, 61x61cm
Tranquility, 1991, 75x56cm
Opening Scene, 2022, 120x120cm
Blaze Away, 1998, 70x70cm